Showing posts with label Personality. Show all posts
Showing posts with label Personality. Show all posts

Wednesday

Apple's Branding Strategy


apple-products-jobs.jpg

Apple Inc. uses the Apple brand to compete across several highly competitive markets, including the personal computer industry with its Macintosh line of computers and related software, the consumer electronics industry with products such as the iPod, digital music distribution through its iTunes Music Store, the smart phone market with the Apple iPhone, magazine, book, games and applications publishing via the AppsStore for iPhone and the iPad tablet computing device, and movie and TV content distribution with Apple TV. For marketers, the company is also establishing a very strong presence to rival Google in the advertising market, via its Apps business and iAd network.

Steve Jobs, Apple's co-Founder, described Apple as a "mobile devices company" - the largest one in the world (Apple's revenues are bigger than Nokia, Samsung, or Sony's mobility business).
For several years Apple's product strategy involved creating innovative products and services aligned with a "digital hub" strategy, whereby Apple Macintosh computer products function as the digital hub for digital devices, including the Apple iPod, personal digital assistants, cellular phones, digital video and still cameras, and other electronic devices. More recently, the full impact of a very well throught out brand strategy has come into focus - and one in which customer experience is central, and the Mac is no longer the hub of all things Apple. The company now offers a harmonised, synchronised, and integrated user experience across all of its main devices (iPad, iPhone, and Mac), using iCloud as the hub.

Apple's core competence is delivering exceptional experience through superb user interfaces. The company's product strategy is based around this, with iTunes, the iPhone with it's touch screen "gestures" that are re-used on the iPad, and the Apple Apps store all playing key roles.

The Apple Brand Personality

Apple has a branding strategy that focuses on the emotions. The Apple brand personality is about lifestyle; imagination; liberty regained; innovation; passion; hopes, dreams and aspirations; and power-to-the-people through technology. The Apple brand personality is also about simplicity and the removal of complexity from people's lives; people-driven product design; and about being a really humanistic company with a heartfelt connection with its customers.

Apple Brand Equity and Apple's Customer Franchise

The Apple brand is not just intimate with its customers, it's loved, and there is a real sense of community among users of its main product lines.

The brand equity and customer franchise which Apple embodies is extremely strong. The preference for Apple products amongst the "Mac community", for instance, not only kept the company alive for much of the 90's (when from a rational economic perspective it looked like a dead duck) but it even enables the company to sustain pricing that is at a premium to its competitors.

It is arguable that without the price-premium which the Apple brand sustains in many product areas, the company would have exited the personal computer business several years ago. Small market share PC vendors with weaker brand equity have struggled to compete with the supply chain and manufacturing economics of Dell. However, Apple has made big advances in becoming more efficient with its manufacturing supply chain,logistics and operations, and it can be assumed that as far as like-for-like hardware manufacturing comparisons are comcerned, Apple's product costs are very similar to those of Dell. In terms of price to the consumer, Apple's computer products have an additional cost advantage: the company does not have to pay another company for operating system licences..

The Apple Customer Experience

The huge promise of the Apple brand, of course presents Apple with an enormous challenge to live up to. The innovative, beautifully-designed, highly ergonomic, and technology-leading products which Apple delivers are not only designed to match the brand promise, but are fundamental to keeping it.

Apple fully understands that all aspects of the customer experienceare important and that all brand touch-points must reinforce the Apple brand.

Apple has expanded and improved its distribution capabilities by opening its own retail stores in key cities around the world in up-market, quality shopping venues. Apple provides Apple Mac-expert retail floor staff staff to selected resellers' stores (such as Australian department store David Jones); it has entered into strategic alliances with other companies to co-brand or distribute Apple's products and services (for example, HP who was selling a co-branded form of iPod and pre-loading iTunes onto consumer PCs and laptops in the mid-2000s - though in retrospect this may now just have been a stepping-stone). Apple has also increased the accessibility of iPods through various resellers that do not currently carry Apple Macintosh systems, and has increased the reach of its online stores.

The very successful Apple retail stores give prospective customers direct experience of Apple's brand values. Apple Store visitors experience a stimulating, no-pressure environment where they can discover more about the Apple family, try out the company's products, and get practical help on Apple products at the shops' Guru Bars. Apple retail staff are helpful, informative, and let their enthusiasm show without being brash or pushy.

The overall feeling is one of inclusiveness by a community that really understands what good technology should look and feel like - and how it should fit into people's lives.

Apple Brand Architecture

From a brand architecture viewpoint, the company maintains a "monolithic" brand identity - everything being associated with the Apple name, even when investing strongly in the Apple iPod and Apple iTunes products.

Apple's current line-up of product families includes not just the iPod and iTunes, but iMac, iBook, iLife, iWork, iPhone, iPad, and now iCloud. However, even though marketing investments around iPod are substantial, Apple has not established an "i" brand. While the "i" prefix is used only for consumer products, it is not used for a large number of Apple's consumer products (eg Mac mini, MacBook, Apple TV, Airport Extreme, Safari, QuickTime, and Mighty Mouse).

The list of Apple's Trademarks reflects something of a jumbled past. The predominant sub-brand since the introduction of the Apple Macintosh in January 1984 has always been the Apple Mac. Products whose market includes Microsoft computer users (for example MobileMe, QuickTime, Bonjour, and Safari) have been named so they are somewhat neutral, and therefore more acceptable to Windows users. Yet other product have been developed more for a professional market (eg Aperture, the Final Cut family, and Xserve).

The iPod Halo Effect

Though Apple's iPhone and iTunes music business is profitable in its own right, Apple's venture into these product areas was based on a strategy of using the music business to help boost the appeal of Apple's computing business.

Apple is using iPod, iTunes, iPhone, and now iPad to reinforce and re-invigorate the Apple brand personality. At the same time, these product initiatives are growing a highly relevant, appealing brand image in the minds of consumer segments that Apple has not previously reached.
In a so-called iPod halo effect, Apple hoped that the popularity of iPod and iTunes among these new groups of customers would cause these segments to be interested in Apple's computer products. This does seem to have happened. Since the take-off of the iPod there has been a dramatic rise in Apple's computer sales and market share.

A couple of years ago, Apple's aspirations for the iPod halo effect was was highlighted most strongly when it used the slogan "from the creators of iPod" in its promotion of iMac G5 computers. In this instance, the Apple brand came full-circle - having been built into a branding system that originates in the personal computer market, then leveraged into the consumer electronics market, and then back into the consumer personal computer market.

This halo effect is extended with the hugely successful Apple iPad tablet computer. Great customer experience with iPhone (and familiarity with Apple's touch screen gesture controls), combined with a great product in its own right, has made iPod a huge success that in turn is drawing even more people to Apple's Mac computer products. In a move which brings matters full circle, the 2011 Lion version of Mac OSX brought to the Mac the same touch screen gesture controls which iPad and iPod users have learned.

This is extension of a common user experience across Apple products was further strengthened by the introduction of the Apps Store to Mac OSX in mid-2011. Mac users can now buy their OSX applications with the same convenience as iPad or iPhone users can buy iOS Apps. Apple has announced that in mid-2012 it will further harmonise the user experience of Mac and iPad users by introducing even more features from iPad into the new Mountain Lion version of the Mac operating system. With the introduction of Mountain Lion, Apple will drop the Mac part of the name from the operating system, so that it will be called just "OS X", rather than "Mac OS X". 

This small but important branding change opens the way for Apple to consolidate, perhaps into a single Operating System, the software used across its multiple devices.

Expect the Halo to Speak - Siri and beyond

Speech will be the next dimension in which Apple will gaining synery across its product lines. Expect the natural language speech processing and interactivity capabilities introduced in October 2011 on the iPhone 4S to be introduced first on the iPad (which uses the same operating system and A5 processor as the iPhone 4S).

Apple is giving substance to speech interactivity by giving it a character - a personal assistant called "Siri". Siri can be somewhat customised by using different languages and idioms (for example, there are three versions of English speech available with country-specific accents and pronunciation - US, UK and Australian). Presumably other customisation or personalization features will also be introduced (perhaps user choice of name and other "identity" characteristics).

Siri highlights the marketing genius of Apple: speech control and interactivity are not new features on computers or phones. For example, smartphones running Microsoft's Windows Mobile operating system have had very similar functionality to Siri for some time. When Apple created the Siri "personal assistant" which gives these otherwise rather hard to describe features a character, consumers were given a hook around which they could finally understand what voice interactivity was all about.

Having taught customers to use touch gestures, Apple is now going to teach us how to speak to computers (almost unavoidably, in a specific Apple dialect of speech interaction).

Apple Brand Strength Now Creating Financial Success

So far, Apples' branding strategy is bearing fruit. For example, Apple reports that half of all computer sales through its retail channel are to people new to Macintosh, the company's sales and margins have been growing strongly since 2006, and Apple has achieved several "best ever" quarterly financial results in recent years, and in early 2012 when Apple's share price passed $500 per share for the first time, the company was the most valuable business in the world with a market capitalization which exceeded oil company Exxon, the previous top business.

Leveraging the success of the iPod, Apple launched the iPhone (released in July 07) to extend the brand even further. Apple's buzz marketing efforts in the first half of 2007 were truly superb, culminating in the release of one of the most highly anticipated products for many years - and launching apple into a completely new market: mobile handsets. By July 2008 the buzz about the 3G iPhone resulted in over 1 million units being sold in the first 3 days of its release in over 20 countries around the world. This success was repeated in 2010 with the introduction of the iPad tablet computer, and in March 2011 with the launch of the iPad 2 which sold 1 million units within 24 hours.

Apple Re-entering the Corporate Market via the iPhone and iPad Halo Effect

Though no-one at Apple would say so today, the next phase of Apple's strategy seems focused on the Corporate marketplace.

A long time ago, Apple had a fairly strong market share in large companies.
A long, long time ago (at the end of the 1970's) the first spreadsheet program (VisiCalc) was launched on the Apple II. The first PC (the IBM PC) to run a Microsoft operating system (PC DOS) did not appear until 1981. When Microsoft launched its Excel spreadsheet in 1984 it appeared first on the just-released Apple Mac, such was Apple's presence among accounting and finance departments.

Even though Apple effectively stopped competing for corporate business during the 1990s, the Apple Mac is still used in corporate environments. Microsoft still has a vigorous applications development team totally dedicated to writing business software for the Apple Mac. New versions of Microsoft Office for Apple Mac still come out approximately 2 years before similar functionality is placed in the next version of Microsoft Office for the Windows operating system.

Over the next few years it seems likely that Apple will re-focus on the Corporate marketplace: The company provides regular updates on the proportion of Fortune 500 companies which are either trialing or deploying iPhone (currently over 90%), and the iPad. In 2009, when Apple announced "Snow Leopard" (the then-latest version of the Apple Mac operating system) it included features allowing Mac computers to fully support Microsoft Exchange. This enables corporate IT departments to support business users who wish to use Apple Macs for their main email clients. Apple's latest version, Mac OSX Lion (released in Summer 2011) includes all the functionality needed to use a Mac as a business server.

Also, Microsoft continues to bring out advanced versions of Microsoft Office for Apple Mac, and - very significantly - in mid-2008 Apple announced a software upgrade for the iPhone which allows iPhones to be fully supported by Microsoft Exchange email servers. Corporate IT departments can now include iPhones as email clients.

One aspect of Apple's strategy seems clear: to use the popularity of the iPhone and iPad to break back into large corporations, sell lots of those devices, and have Apple Mac back on the desks of large businesses (or more probably - in the laptop bags of middle and senior managers in most large businesses).

The Macbook Air and iPad are clearly designed for business markets as well as for consumers, and Apple continues to display its mastery in smoothly morphing customer experience and brand preference from one product category to another.

As we say; no one in Apple will currently admit to such ambitions, but Apple's branding strategy is clearly expanding to include business and corporate markets once again.

After Halos - Clouds

The next step in Apple's marketing strategy is the Apple iCloud, which delivers a seamless experience for using and sharing content across all your Apple devices (iPhone, iPod, iPad, or Mac). iCloud enables a common "it just works" experience for using content across all of Apple's mainstream products. iCloud positions the company for a future where customers experiences and their digtal lives transcend the hardware devices which they use, and enables Apple to extend the brand experience well beyond individual products.

Apple has invested in a 500,000 (soon to be one million) square footApple data center in rural North Carolina. This data centre this will be used as the core of a data repository for Apple's iCloud services, which will enable Apple to leverage it's customer franchise into an even broader market space. Apple iCloud is one of many ways in which Apple and Google are fast becoming arch rivals.

iKnow Siri?

Once Apple hand-held device users have become acustomed to this style of interactivity, presumably natural language speech interaction will also be extended to the Mac - in whatever form-factor Apple's full-function computers have evolved into by then. Perhaps longer-term, it can also be assumed that a user's Siri personal assistant will be used to embody and create a feeling of continuous experience across different devices, with Siri seemingly moving with us from device to device.

This continuity across devices will be possible because Apple is using iCloud to offer customers device-independence and multi-device synchronisation - so that whichever Apple device you move to the experience continues because the new one will "know" what you were doing on the last one and can pick up dialogues such as chat messages where you left off.

Apple's Original Apple Macintosh Marketing Strategy

Stanford University has published contemporary records and original documents of the marketing strategy for the Apple Macintosh launch in 1984, including the original Apple marketing strategy and the Apple Macintosh product introduction plan written by Regis McKenna.

It is now nearly 3 decades since the launch of the Apple Macintosh (on January 24, 1984). Having proven itself and already gained considerable popularity with the Apple II, Apple chose to announce the Apple Mac in one of the most famous-ever commercials, aired during the third quarter of Super Bowl XVIII on 22 January 1984.



The formal product release came a couple of days later on January 24th, 1984.
In addition to the innovative Apple Mac graphical user interface (based on concepts from Xerox PARC), the Mac's industrial design - shown below - was revolutionary for the time. Interestingly, it share's the same screen size (9 inch) as a relatively new PC format: NetBooks, and had a just slightly smaller screen size than Apple's 10 inch iPad and Macbook Air products.

http://www.marketingminds.com.au/branding/apple_branding_strategy.html


Apple Macintosh
The first Mac (above) had just 128KB of RAM and a 400KB 3.5-inch floppy disk drive, and a 9-inch, 512x342 pixel monochrome display.

Apple Mac original GUI interface
The original Mac graphical user interface was revolutionary in its day. It introduced the use of the mouse and features such as icons, fonts, folders, and audio to mainstream computers.

Sunday

Brand: It is Not About the Logo

Logorama3

Try telling that to the creators of LOGORAMA, the animated short film that took the 2010 Academy Award in that category last Sunday evening. I have seen the trailer and it looks really good. I look forward to seeing the entire film soon. As viewers will not, we are deluged with logo world, resulting in the reality that most people think a brand is a logo.

Ok, let me get back on my soap box and remind everyone that a brand is a name, what that name stands for and the associations that people make with that name when they see or hear that name. A logo is the visual representation of the brand. Logos, marks, mottos, taglines and other representations are important, but please do not limit your brand work to these.

The important work up front, which most tend to shy away from is the mission, core values and stakeholder engagement. Only when your organization has a purpose, believes in its guiding principles and provides it stakeholders(brand champions) means for understanding them, should we think about the logo. In the meantime, cheers to LOGORAMA!

Rex Whisman

Wednesday

Choosing a Brand Personality

Brand Personality Cards on a Table
You don’t want your brand to be cold and lifeless. You want it to have personality.
Imagine your company as an actual person that your target audience is meeting for the first time. What first impression do you want to make on your target audience? Here, your answer shouldn’t be about the features or benefits of your brand - just the desired first impression. Here are some examples:

Accommodating, Modest, Seasoned, Proud, Serene, Rebellious, Straight Shooter, Reflective, Thinker, Value Freedom, Accurate, Value Special Rituals, Mr. Status Quo, Warrior, Adventurous, Neurotic, Aggressive, Nurturing, Altruistic, Ambitious, Analytical, Outrageous, Artistic, Passionate, Athletic, People-Oriented, Brilliant, Perfectionist, Calming, Playful, Caring, Powerful, Clown, Detail Oriented, Comfortable, Revolutionary, Competitive, Pure, Confident, Quick, Critical, Relaxed, Disruptive, Demanding, Edgy, Scientific, Efficient, Enthusiastic, Friendly, Sexy, Experimental, Fun, Feared, Growing, Flexible, Happy, Healer, Sophisticated, Helpful, Spiritual, Holistic, Spontaneous, Hunter, Stylish, Idealist, Shy, Imaginative, Tactical, Impulsive, Simple, Take-Charge Attitude, Innovative, Thrifty, Intelligent, Traditional, Intimate, Trickster, Intuitive, Trusting, Laid Back, Value Routines, Liberated, Vibrant, Life Long Learner, Visionary, Manager, Optimistic, Organized, Serious, Protective, Vibrant, Soulfull, Excentic, Conservative, Connected

Tips
  • Be realistic when choosing a personality trait. Don’t try and trick your target audience, or yourself, by picking traits that don’t honestly reflect your brand.
  • Don't chose traits that are earned. You want traits that you can establish at the first touch. Many of our 1day1brand clients want the personality trait 'Trustworthy'. I argue that trust is earned. You can't evaluate a branding campaign by asking if it is trustworthy. But you can judge a brand campaign by any of the other immediate personality traits listed above.
  • Be competitive, but remain authentic. If your chief competitor has a personality similar to your own, consider promoting different personality traits so you stand out. But don't sacrifice your brand's authenticity in so doing.
http://www.distility.com/Rebranding-Branding/

Brand Personality Inspiration

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My dad always said, if you want to get ahead of the leader, don’t
follow his tracks in the snow. If I owned my own jewelry store, this
would be the mantra for everything I did. And my store would be truly
different.
I think the greatest challenge we all face is avoiding
the well-worn track. So, how do we avoid falling into step with
everyone else? The trick is to find inspiration, not from your
competitors, but from brands outside your own category of business.

Let’s
imagine that Apple went into the jewelry business. Now let’s imagine
how the Apple jewelry store might look. We all know Apple – a
fundamental indicator in itself of the brand’s leadership. The Apple
personality is well etched into our collective understanding of the
brand. We could, therefore, imagine that the Apple jewelry store would
proclaim itself in the street environment as a jewel itself. The façade
would be sleek; the staff would be casually elegant, dressed in black
shirts adorned with incisive, white-printed apothegms across their
backs. The jewelry displays would be elegant – simple of line and
perhaps using white as a theme. And the jewelry pieces would feature as
the stars of a coordinated and well-design show. Each piece – and
perhaps there’d be a select few on display, ensuring that the story
behind each work had the space and time to express itself – would be a
paragon of design. You’d be able to see them up close, examine their
well-crafted detail and even touch them to fully appreciate their
seamless craftsmanship. They’d be Apple pieces, sharing design
characteristics that underline the Apple brand’s inherent mission,
personality and values. They’d be individual expressions of each
artist’s creativity yet united in their evocation of the Apple brand
signature. In brilliant paradox, their individuality would reinforce a
recognizable and unifying brand, leaving no doubt about the brand
behind the products.

Let’s step back onto the street, out of that
imaginary Apple jewelry store, and consider jewelry brand distinction
in general. There’s a row of jewelry stores in this shopping district.
Lined up side-by-side, they offer easy comparison. Or do they? They’re
all the same. Where’s the distinction between them? If I were to take a
photo of each jewelry store, I’d use the images to build a matrix to
map brand difference – and lack of it.

The matrix is built around
the four sides of a square. The vertical left-hand side accommodates
all my pictures of stores that are almost uniform with each other. The
opposite side of the square is where I put my photos of stores that are
unique in some way. Along the top of the matrix are photos of stores
that offer an experience – they’re more than retail outlets or places
to display jewels. Finally, along the bottom of the square, are all the
other stores. These are the bland environments – neither expressing
difference, experience, or an environment of any distinction.

Guess
where most of the stores would be on the matrix? Would I be wrong in
assuming they’d mainly be in the bottom left, where the uniform and
bland stores overlap. Many of the remainder would be in the middle of
the matrix, mapping their identities as stores which are essentially
trend followers that provide a pleasant environment but one which is
advised merely by function and habit, not brand expression. There’s a
pretty big gap at the top right where we would map unique, experiential
stores – if we had a picture of one.

Guess what - that’s where I would aim to have a picture of my jewelry store.

My
customers would be willing live billboards for my jewelry products.
Just as the white earphones have become a distinctive icon for the
Apple brand, the proud wearers of my store’s products would be sporting
distinctive pieces that could have come from one place only.

So, how do you identify the right source of inspiration to start building your distinctive brand experience?

First,
you need to carefully consider the values you want your jewelry store
to convey. Should it be cool, courageous, harmonious, sensitive,
humorous, inspiring? Did you notice the values I listed? We’re not
talking about reliability or quality. These are values which consumers
take for granted in a brand that has the temerity to offer itself for
sale. Brand values are personality attributes that set a brand apart
from others. Think of brands as people. Values describe the personality
of your brand, just as people represent values through their unique
personalities. Think Oprah, and you’d possibly identify values such as
compassion and care. Think Steve Jobs and you might associate visionary
qualities with the man. The same is the case with powerful brands. Your
brand’s personality is ultimately what distinguishes it. And the
personality is built on well-defined and consistently expressed values.

Your
brands values should not only underline a distinctive personality. They
allow you to tell your customers a great story. Like people, brands
exist within a personal history. They exist in a community context.
Tell the story of your brand through its expression and the
relationship it builds with customers.
Now you’re ready to
identify the source of your inspiration. Consider brands, beyond your
sector, which embody values to place them in the top right-hand corner
of the matrix. Brands that are unique and which offer an experience in
our encounters with them.

Perhaps you might think of Red Bull.
There’s a brand which might qualify as inspiration for a jewelry store
because of its unique distribution strategy. I’m sure you’re aware that
custom-built Red Bull fridges reside in surf wear stores as much as in
convenience stores, because the surf wear stores are where their core
customer group shop.

On the same theme, Quicksilver, the surf
wear clothing brand, has developed stores that are experiential,
evoking a sense of the beach, of fun and youth. Gather a group of
brands which reflect aspects of your store’s personality and values and
examine how they can inspire concepts and directions for your store.

Your
next step is to consider your story. Branding isn’t all about design.
It’s about creating a powerful story. The story, the values, the
personality all contribute to advising the design. The design expresses
these characteristics to achieve a holistic and integrated, confident
and distinctive brand expression. The fact is, you’re selling a story
first, jewelry as an inevitable consequence. The jewelry pieces are
symbols for the brand experience. My jewelry store would be an
epicenter of storytelling.

Every jewelry piece in my store
would have a unique story to tell. Each piece would express a unique
origin, a unique jeweler behind its creation, unique gems or
craftsmanship. No piece would leave my store without being accompanied
by a booklet exploring the story behind the piece. My staff should be
carefully trained in conveying each and every story. And my website
would extend the experience. On- and offline, my jewelry store would
function as theater. The set would be accompanied by a unique signature
sound – music for the store and website. A signature scent would
pervade the store and would be infused into all my exquisite packaging
materials. Customers would take home the story, the piece and the
sensory experience.

In my book, Buyology, I explore why more than
70% of us touch wood for luck. It’s true! More than 40% of us avoid
walking under ladders and opening umbrellas inside, for fear of
invoking bad luck. Countless rituals like these are engraved into our
social consciousnesses. Individually and collectively we practice
ritual daily. Weddings, engagements, birthdays – they’re all rituals.
And our addiction to them translates into a powerful branding tool. So,
on top of the story, the environment and the sensory experience of my
store, I’d invent rituals for everything: the way staff greet and
attend to customers, the way the piece’s stories are told, the way in
which purchases are wrapped and presented to customers. Every consumer
touchpoint offers an opportunity for brand expression.

Buying
jewelry should give customers a memorable experience. It should be an
experience that’s so distinctive that they can’t help but talk about
it. Breathless stories of the beautiful jewelry store experience would
spread by word-of-mouth to friends and family. This is the marketing
strategy to aim for. Classic advertising rarely works, and it comes at
an outrageous cost. I’d make my store do the talking and let my
customers be the pilgrims who spread the word to the world.

Sponsored By: The Brand Positioning Workshop